Saturday, September 9, 2017

Roland D-50 "A new technology is creating a powerful storm...", Keyboard 1987


Roland D-50 "A new technology is creating a powerful storm in the world of sound synthesis" four page colour introductory advertisement from pages 89 to 92 in the June 1987 issue of Keyboard Magazine.

Happy 9/09 day!

I had a lovely 909-related post ready to rock and then... BOOM! Roland announces their new D-05 Boutique module based off their 1980's best selling D-50 synthesizer. Luckily I had been saving this draft of the D-50 four-page introductory advertisement for a special occasion. And I can't think of a better one right now.

(And bonus! I have a 909-related post ready to go for the next 9/09 day!).

Roland introduced Keyboard readers to the their new D-50 synthesizer in the June 1987 issue with this four-page ad. Its not often you get to see a four-page advertisement in Keyboard magazine. And its definitely not often you see it run for four months in row. That's a lot of advertising dollars. And then Roland just pared it down to a two-page ad and continued to run it.

Although Roland began advertising it in June 1987, its possible the first time that readers of Keyboard were introduced to its existence was two months earlier in Ted Greenwald's winter NAMM article that appeared in the April issue. The D-50 received top billing!
"For a couple of years it took small American companies such as Sequential and Ensoniq to prove to synthesizer players that there is, indeed, life after the DX-7. So it was a surprise to see the big boys grab the spotlight this time around with some exciting new instruments."
Ted goes on to write about Roland,
"The indefatigable Roland led the way with the D-50 Digital Synthesizer, the obvious highlight of their prolific new offerings, and possibly of the entire show". 
Side note: I'm not sure if "indefatigable" is a word, but it definitely described Roland's push of new gear both during that time period, and now with the announcement of so many Boutiques.  :)

The D-50 really did take the synth world by storm in 1987. Ted Greenwald drew the lucky straw and also got to write the Keyboard Report that appeared in the September 1987 issue.

Ted opening paragraph really packages history up nicely and is one of the reasons I love reading through old synth mags. He points out that MIDI was invented to do patch layering and talks about the "sonic richness that could be obtained by combining two" separate synthesizers. He goes on to write:
"While Sequential and Oberhaim addressed the problem by designing polytimbral instruments (the Six-trak and the Xpander), and Roland and Yamaha started packaging two synthesizers in one case (DX-5 and the JX-10), New England Digital gave the Synclavier the ability to layer four sounds, either synthesized or sampled, under one key."
What he was saying is that Roland's D-50 allowed synthesists to add a little sparkle of "Synclavier" into their productions at a fraction of the cost.

The three-and-a-half page Keyboard report gets into all the aspects of the synth including the basics of linear arithmetic synthesis, how the samples are incorporated into the synth, the effects (reverb and delay in a synth?!?!), and the front panel interface. On that last topic, its noted that programming can get complicated with all the menu diving, but luckily Roland decided to keep the tradition of pairing programmers with their synthesizers and offered up the PG-1000 programmer right out of the gate.

Ted concludes his review with some pretty good predictions...
"LA synthesis is a success, and we expect that the D-50 will be as well, even if some corners were cut to get it into such a competitive price range. ... An instrument this capable for under $2,000 would be a strong contender for Keyboard Of The Year even if it didn't include reverb, delay, chorus and EQ effects. In the coming months, we're expecting some of the factory patches to become as ubiquitous as that blasted DX-7 Rhodes sound. Keep your ears open".  
He definitely got that right.

And with the D-05 Boutique I'm expecting and looking forward to a resurgence in those patches! I was a resurgence in Enya cover bands using that Pizzagogo patch. And yes, I'm evening looking forward to hearing how the Digital Native Dance patch is going to be incorporated into synthwave.

Now time to enjoy my 9/09 day!

1 comment:

Clarence Jeong said...

Initially February/March 1987 precisely?

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