Tuesday, September 26, 2017
Sequential Circuits "Choice of the month" centrefold colour advertisement featuring the Prophet-10, Prophet-5 and Pro-One from page 42 and 43 in the May 1982 issue of International Musician and Recording World.
Wow. Just wow.
I was doing a bit of research in back issues of some magazines for a lawyer last night and while casually flipping through one of those mags, this suddenly appeared before my eyes.
I've never seen it before. Ever. Time for a quick blog post!
In my defense, it's not in the advertising index of this magazine - a technique I use to quickly reference and log some synth ads. Another SCI full page colour ad that appears on page 36 *is* in that index. But not this one. There also doesn't seem to be a reference elsewhere in the magazine as to why SCI became the "Choice of the month" for the magazine. There was a "Special Focus: Keyboards" article this month. So, I'm guessing it was supposed to be related to that.
It actually looks more like a poster image that's been re-used for this "Choice of the Month" image. There is no ad-title or text. And the image itself doesn't stretch to the far right and far left of the pages - there is white space at both ends. I've left the white in the scan to make the point.
But its a poster or image I've never run across. I haven't seen it in other magazines and I haven't seen it hanging on the wall in the background of any of the Dave Smith demo videos.
The main image of a hand playing a Prophet-5 keyboard is very reminiscent of SCI's Poly-Sequencer advertisement that appeared a few times in Keyboard Magazine from 1981 to 1983 (a long shelf life for any ad!). The hand in this ad and the one in the centrefold illustration are even playing the same chord. It was definitely an inspiration for Nicholson, the artist who's name appears vertically near the top right of the image (just underneath the also-vertical Prophet-5).
The rest of this wonderful illustration consists of a Prophet-10, Prophet-5 and Pro-One used to frame the main image.
While comparing the Poly-Sequencer ad and the centrefold, I noticed something. Did you notice it too?
The fingers are playing the exact same notes, but in the illustration, there is a lot more space between the thumb and index finger. It took me a few seconds for my brain to figure it out. In order to even out the fingers in the illustration, Nicholson took a bit of liberty (and warped reality) by adding AN EXTRA KEY into the octave.
That takes balls. And makes this illustration even more unique to me.
But it may be why the image hasn't been seen elsewhere.
Saturday, September 9, 2017
Roland D-50 "A new technology is creating a powerful storm in the world of sound synthesis" four page colour introductory advertisement from pages 89 to 92 in the June 1987 issue of Keyboard Magazine.
Happy 9/09 day!
I had a lovely 909-related post ready to rock and then... BOOM! Roland announces their new D-05 Boutique module based off their 1980's best selling D-50 synthesizer. Luckily I had been saving this draft of the D-50 four-page introductory advertisement for a special occasion. And I can't think of a better one right now.
(And bonus! I have a 909-related post ready to go for the next 9/09 day!).
Roland introduced Keyboard readers to the their new D-50 synthesizer in the June 1987 issue with this four-page ad. Its not often you get to see a four-page advertisement in Keyboard magazine. And its definitely not often you see it run for four months in row. That's a lot of advertising dollars. And then Roland just pared it down to a two-page ad and continued to run it.
Although Roland began advertising it in June 1987, its possible the first time that readers of Keyboard were introduced to its existence was two months earlier in Ted Greenwald's winter NAMM article that appeared in the April issue. The D-50 received top billing!
"For a couple of years it took small American companies such as Sequential and Ensoniq to prove to synthesizer players that there is, indeed, life after the DX-7. So it was a surprise to see the big boys grab the spotlight this time around with some exciting new instruments."Ted goes on to write about Roland,
"The indefatigable Roland led the way with the D-50 Digital Synthesizer, the obvious highlight of their prolific new offerings, and possibly of the entire show".Side note: I'm not sure if "indefatigable" is a word, but it definitely described Roland's push of new gear both during that time period, and now with the announcement of so many Boutiques. :)
The D-50 really did take the synth world by storm in 1987. Ted Greenwald drew the lucky straw and also got to write the Keyboard Report that appeared in the September 1987 issue.
Ted opening paragraph really packages history up nicely and is one of the reasons I love reading through old synth mags. He points out that MIDI was invented to do patch layering and talks about the "sonic richness that could be obtained by combining two" separate synthesizers. He goes on to write:
"While Sequential and Oberhaim addressed the problem by designing polytimbral instruments (the Six-trak and the Xpander), and Roland and Yamaha started packaging two synthesizers in one case (DX-5 and the JX-10), New England Digital gave the Synclavier the ability to layer four sounds, either synthesized or sampled, under one key."What he was saying is that Roland's D-50 allowed synthesists to add a little sparkle of "Synclavier" into their productions at a fraction of the cost.
The three-and-a-half page Keyboard report gets into all the aspects of the synth including the basics of linear arithmetic synthesis, how the samples are incorporated into the synth, the effects (reverb and delay in a synth?!?!), and the front panel interface. On that last topic, its noted that programming can get complicated with all the menu diving, but luckily Roland decided to keep the tradition of pairing programmers with their synthesizers and offered up the PG-1000 programmer right out of the gate.
Ted concludes his review with some pretty good predictions...
"LA synthesis is a success, and we expect that the D-50 will be as well, even if some corners were cut to get it into such a competitive price range. ... An instrument this capable for under $2,000 would be a strong contender for Keyboard Of The Year even if it didn't include reverb, delay, chorus and EQ effects. In the coming months, we're expecting some of the factory patches to become as ubiquitous as that blasted DX-7 Rhodes sound. Keep your ears open".He definitely got that right.
And with the D-05 Boutique I'm expecting and looking forward to a resurgence in those patches! I was a resurgence in Enya cover bands using that Pizzagogo patch. And yes, I'm evening looking forward to hearing how the Digital Native Dance patch is going to be incorporated into synthwave.
Now time to enjoy my 9/09 day!
Friday, September 1, 2017
Roland Alphabetical Retail Price List for September 1978.
I had recently come across this price list and thought it was interesting enough to share. Don't really have much to say so I'll just start typing and see what comes out.
Well, gotta say it's a great list of historic gear that includes price lists for Roland's early synthesizers, drum machines,effects units and a wack of other things.
One of the highlights for me is seeing the retail prices for the System 100 synthesizer:
- S-100 Synthesizer System - $2,425
- S-101 Synthesizer - $795
- S-102 Expander Module - $650
- S-103 Mixer - $360
- S-104 Sequencer - $495
- S-109 Monitor Speaker Set - 149.50
- S-700 System Synthesizer - $13,500
- S-700L Laboratory System (Blocks 2 & 8) - $3,100
- S-700M Main Console System (Blocks 1 & 2) - $4,995
The pricing for the individual S-700 blocks is also there, but because the list is in alpha order, I almost missed 'em because they are on other side of the page.
Block 1 Main Console - $4,495
Block 2 Keyboard Controller - $650
Block 3 Sequencer - $1,695
Block 4 VCO Bank - $2,795
Block 5 VCF, VCA Bank - $1,995
Block 6 Interface/Mixer - $1,195
Block 7 Phase Shifter / Audio Delay - $1,150
Block 8 Lab Console - $2,565
And see those asterisk symbols by the TR-33, TR-55 and TR-700? Those indicate that the units were recently discontinued, giving us a fairly accurate date of when these early drum machines were taken off the market. Roland Canada's drum machine history page tells me these only came on the market in 1972, giving the three machines less than a two-year life span.
This list is pure gold.